Tom writes:
I well remember both occasions that I took the module on Liturgy & Music as part of my postgraduate worship studies. The first time I was on the slide into a major depressive crash, and the week of lectures did nothing to help, despite being a lover of music.
It seemed the week was full of auditors who were attending because they loved traditional “church music” – with a sense of elitist snobbery and perfectionism infecting almost all our conversations. My depression meant I failed to submit the required assignments, so two years later I re-took the module. On this occasion, we were asked to bring a piece of music with us that spoke to us of worship and faith.
Remembering the last time I’d attended, I deliberately took a secular piece. Once the week was over and I was researching my essay, I discovered the piece I then wished I’d taken instead – ‘Nazorean’ by Deuteronomium.
Were I able to have my time again with that first group of fellow students, I would sit them down and have them listen to ‘Nazorean’. This is no Tallis or Gibbons, Bach or Mozart, Rachmaninov or Pärt, yet the song is no less a devout and orthodox creed than those you would find in the work of classical composers more associated with religious work.
At 200 bpm and in a deep growl it recounts the credal description of Jesus’ death and resurrection and declares the singer a follower of Christ. It is a declaration of faith in a place and in a style that I suspect many might deny it could possibly exist.
My usual rock listening has generally only flirted with the edges of metal music. As with all genres nowadays, metal can be divided into many sub-genres, one of which is known as Death Metal – lots of high-speed bass drumming, pounding power chords, and growling lyrics of a usually somewhat macabre and/or nihilistic nature. Such music is particularly popular in Finland, to the extent that there is a further sub-genre of Finnish Death Metal. And, within that, one finds an even smaller genre – Christian Finnish Death Metal! This is the sub-sub-sub-genre of Deuteronomium.
‘Nazorean’, and indeed the whole album, ‘The Amen’, from which it comes, forms the manifesto for why I believe this blog matters – the Church, while declaring the love of God for all, and acknowledging that God is present everywhere, too easily and too often writes off certain parts of life and culture as beyond the pale, as antithetical to good theological thinking and faithful listening.
Yet it is my experience that it is precisely in those places that we find God revealed in new and challenging ways. If God can ignore the idea that material flesh is somehow beneath the divine and come to us incarnate in Christ, then God can certainly come to us in musical forms that we might have written off as disturbing, nihilistic, profane, and even, yes, satanic.
If we are, like Deuteronomium, to be followers of Christ then we have to be open to encountering him in the places we have previously written off – and that includes secular, popular music, including Death Metal, whether or not it’s of the Christian Finnish type or not!
