• ‘Walkaway’ – Cast

    Gill writes:

    I’ve found myself using a phrase quite often so far this year. That phrase is ‘knock the dust (from your shoes).’ Its origins lie in the Gospel of Luke, Chapter 10. It’s one of those phrases or quotes that I turn to when I find myself caught up in heated debates or doomscrolling through Threads. It helps me step back and check myself. Take a breath and ask what’s going on here?

    You may be familiar with the story in Luke 10 – it’s where Jesus sends out seventy-two disciples — in pairs, which is itself worth noting — and gives them a remarkably practical set of instructions. Find a welcoming house. Stay there. Eat what they give you. And if a town doesn’t receive you? Shake the dust from your feet and move on.

    In other words, don’t get yourself embroiled in a prolonged argument. Don’t keep trying harder and harder to win people over. Just — walk away.

    I find that Cast’s Walkaway, from their 1995 debut album All Change, captures something of that same spirit. It’s not an angry song. It’s not particularly sad or full of pent-up frustration. It’s underpinned with that Britpop confidence — nay, swagger — of the 1990’s but underneath it, I find there’s something wiser than it first appears. If you’ve heard all they got to say / you looked but turned away. The walking away here isn’t defeat. I think it’s discernment.

    And in 2026, discernment might be one of the most countercultural things we can practise.

    We live in a world engineered to keep us engaged — not productively engaged, of course, but hooked. The (doom) scroll. The ‘hot take’. The reply that definitely won’t change anyone’s mind, but somehow we can’t resist typing anyway. Comment sections on social media seem designed less for conversation and more for combat by keyboard warriors. Algorithms that have learned, very efficiently, that outrage keeps us online longer than wonder does.

    Into all of that, the song says: walk away. Just like Jesus told us to do two thousand years earlier.

    I think the thing to notice about the Luke 10 instruction is that it is not about having a sense of resignation. It isn’t Jesus saying don’t bother because people are useless. I think it’s something more purposeful than that — more about assessing a situation, like triaging in a hospital A&E, or a gardener knowing when soil is ready. The disciples aren’t carrying a message that diminishes if it goes unheard in one place. They carry it onwards. You’ll never lose your dreams, as Cast put it, in one of those lines that you could almost throw away until you sit with it.

    There’s a particular kind of exhaustion that comes from trying to reach people who, right now, simply aren’t ready to hear. We’ve probably all felt it — in a family conversation that turns circular, in a social media exchange that generates more heat than light, in a world of soundbites and bots where nuance goes to die. The temptation is to try harder, speak louder, and find the persuasive argument that will finally land.

    But Jesus offers us something different: permission. Permission to move on. To trust that the Spirit works in its own time, through its own means, and that our job is not to force every door but to notice which ones are opening.

    Walking away, in this reading, is not apathy. It’s not giving up on people. It’s an act of faith — that the Good News is bigger than any single conversation, that it will find its moment, and that burning ourselves out helps no one.

    So maybe the questions are: what dusty shoes need a shake? Where are the open doors? The receptive hearts? The places where something might actually take root?

    Walk away from the noise. And walk towards life. And never lose our dreams.


    Find out more about Cast at https://castband.co.uk/

  • ‘Good for You’ – Hothouse Flowers

    Jules writes:

    God, I needed that. Thank you.

    This weekend in the heat of the spring sun, the lyrics “hypnotised by the beauty of it all” come to mind. Lyrics from the Hothouse Flowers song ‘Good for You,’ from their album ‘Home’.

    Almost overwhelmed by the beauty of it all…

    The depth of the energy that the sunlight has brought this weekend.

    Not just the vibrant contrasting colours of the spring, scintillated by seed and the sparkle of sunglint, but also the strength of the tradition in the pinnacled church tower as its bells strike twelve… The god-given energy seemed to make some simple, homely treasures sparkle.

    My ‘home’ is something I’ve struggled to pin a flag on. I am from Cornwall, so I might say I’m a Cornishman; the Cornish have a strong tradition and identity. But, I have ‘lived’ outside the County, in the East Midlands, for more than 30 years.

    This weekend, shadows of the lingering winter seemed to be warmed by a few days of strong sun. ‘Were you there when the sun refused to shine?’ It seems I tend to suffer from an introvert’s ruminations and cognitive distortion, especially in the winter months. A recent health check suggested I was low in Vit D and Iron… that notion didn’t help my ‘perception’ of the world.

    The Hot House Flowers sing;

    “I’ve hoarded all experiences I’ve had

    Written down all memories on a train…

    And you ask me why I’m singing,

    Well it is good for me, it can be good for you…”

    “World is decay, life is perception”, said the ancient Greek philosopher Democritus. But this weekend’s light and warmth have definitely helped my perceptions sing, and helped me treasure some simple blessings.

    ‘Blessings’. The word always reminds me of being a boy, about 6 years old, circa 1975. Waist-high amidst a throng of Cornish faithful, singing with gusto in the upstairs chapel of the Royal National Mission to Deep Sea Fishermen in Newlyn. “Count your blessings, name them one by one…”. The RNMDSF; fishermen’s shadows in corners, a snooker table taller than me, plaques, awards, and a sense of refuge. I recall songs about anchors, safe return, loss, toil and light. The sound of my grandmother and the colour and spirit of this song.

    The Hot House Flowers sang “I’ve spent my life watching sky and sea change colour…”

    It’s what we do, colours change… perhaps ‘home’ is where the heart is. But, “where your treasure is, there your heart will be also.” Matthew 6:21

    “And I’ve woken to the sound of sweet dawn music

    Where a hundred thousand songs are sung

    While the earth and ocean changes

    Four thousand million into one”

    Treasure your blessings. ‘Life’ is in perception!

    God, I needed that. Thank you.

    Hothouse Flowers are playing festivals this summer, and touring later this year – https://hothouseflowers.com/

  • Ideal World – The Christians

    Jane writes:

    In recent days, I’ve been on an outing to Leeds. A good chance to visit the Art Gallery, amongst other things. On my way through the city, I saw a poster with my birthday date on it in big black letters, so of course I had to pause to be nosey. It was advertising a gig by The Christians, and I felt a little pang of sadness as my birthday has passed and I didn’t get to go ☹

    This band have been a fixture in my existence since the early days of theirs, and I’ve seen them, off and on, in all sorts of places. I love their sound, their perspective and the nostalgia that goes with seeing them. This whole set of thought processes led my mind to wander around their music mentally, and the first song title that popped into my head was this one –Ideal World.

    A set of lyrics rang through my brain – pretty good given I can’t often remember where I’ve put my socks recently – and this was it. As clear as day:

    In the ideal world
    We could start again
    Now in my real world
    Let’s put an end to suffering
    End suffering

    In the ideal world
    We’re now free to choose
    Oh, in my real world
    We are safe to air our views

    In my humble opinion, the world is far from ideal at the moment. I know some people, those who are throwing their power about like talcum powder, think their ideal world can be brought about by war, violence
    and downright bullying, but I think most people see the world in a far from ideal position.

    War is very, very present in our minds. Alongside that comes the impact of discrimination, racism, climate change and a disproportionate distribution of wealth. All compounded by the silent acceptance of the masses.

    ‘Oh Jane, ‘ you cry. ‘This isn’t new. Twas ever thus!’ Maybe you’re not wrong, as long before The Christians (that’s Gary & his brother who originally made up this band) were writing about it, there was commentary aplenty. This is why, though it’s so sad. We do not learn lessons. To hear these words ring true almost 40 years after they were written is so demoralising.

    We, who are people of faith, hold true to a pattern of discipleship that upholds equality and love for one another. In fact, the biblical stories around Jesus remind us that we should love God and love our neighbours as ourselves, then those stories take some very careful time to explain that everyone, regardless of where they originate, must be considered a neighbour. This is the ideal world our faith encourages us to strive for.

    In the ideal world
    We can start again
    Now in my real world
    It matters not about the colour of your skin

    If this means we have to try every day to re-write the dodgy and unacceptable story we find ourselves in, so be it.

    If you can, in some small way, make today a day where you contribute to the ideal world the writer of this song envisages, and if we’re blessed, then we won’t need to revisit this FF in 20 years time.

    You can find out more about The Christians and where they are still touring here
    http://www.thechristianslive.co.uk/index.html#

  • We want your hot take on a pop song 🎵

    Does Taylor Swift make you think about forgiveness? Does a Coldplay chorus sneak up on you in a moment of prayer? Does “Dancing Queen” say something profound about joy and community that you can’t quite put into words — but you’re going to try?

    Then the Friday Fix wants to hear from you.

    Our Friday Fix blog is where music meets the spiritual — a space for the unexpected connections, the “wait, this song is actually about grace” moments, and the guilty pleasures that turn out to be anything but guilty.

    We’d love to publish your thoughts. And the good news? Your job is the easy bit.

    Here’s all you need to do:

    Pick a song. Any song. (Yes, even that one.)

    Jot down a few thoughts about what it sparks for you spiritually — could be a sentence, could be a few paragraphs. There’s no wrong answer and no word count.

    Send it to us by email. That’s it. We’ll do the rest.

    We’re not looking for essays or theology degrees. We’re looking for you — your music taste, your faith, your reflections, served up however feels natural.

    Go on. Hit play. Then hit send.

    Send your Friday Fix to: fridayfixmail@gmail.com

  • ‘Waiting for You’ – Nick Cave and the Bad Seeds

    I thought David’s reflection from 2023 might help.

    David writes (in 2023):

    Cave writes ‘the lyrics and the vocal performance emanate from deep inside the lived experience itself’, in this instance he is writing about the Pogues classic.Fairytale in New York’. Few could argue, on listening to his own composition ‘Waiting for You’, that such a description isn’t also merited.

    The poignancy that Cave expresses in delivering the title lyric of this song leaves us in no doubt that true love dwells, and even grows, in the waiting space. As he sings ‘waiting for you’ we can sense that during a time of separation, love has grown. Yet, this is far more than a case of ‘absence makes the heart grow fonder’. The waiting is more than the bittersweet parting of lovers pining for precious time together again. This is the heartfelt passion of those whose souls are conjoined, yet who are parted.

    Your soul is my anchor, I never asked to be freed

    sings Cave, yet, as the line is sung, even as we sense that love has grown, we become aware that the waiting may well be in vain. In the longing is lament, and in the tangible sense of grief and sorrow which emanate from the lyric we are given an insight into the intensity of desire which lies within the waiting. A desire that risks not being fulfilled.

    The truth is that for many in today’s society the act of waiting carries no risk. For the privileged, waiting simply means next day delivery! Desire is always fulfilled, and waiting is understood simply as the passage of time from one completed goal achieved towards the next. Richness is measured in the numbers of, not in the depth of, experiences. 

    Yet this is not the whole picture of course. The wait goes on for clean water for 771 million people across the world (https://www.wateraid.org/facts-and-statistics). 2.99 million food parcels have been given out to those who have waited in line at food banks this year in the UK (https://www.trusselltrust.org/news-and-blog/latest-stats/). 82 million refugees wait to return home or find security in a foreign land (https://www.rescue.org/topic/refugee-crisis-100-million-displaced). For these, and others, waiting is not simply a passage of time but a deep desire for security and the waiting of course does not always bear fruit. For many, life is not a journey from one peak to another but an attempt to find some even ground. A longing for a change in circumstances. A lament for what might be.

    Waiting is one of the themes of the liturgical season of Advent, although it is all too often trivialised, marketed as the countdown to Christmas Day. This is far removed from the real intention of the season, or indeed from the sense of waiting portrayed in Cave’s song. In both, there is real separation, in which the waiting time is not about the passing of the minutes, hours and days between where you are and where you want to be, but rather a profound period of preoccupation with and reflection upon what could and should be. Advent is a season to desire deeply.

    Therefore during Advent we should not be asking, “am I prepared for Christmas?” Rather, we should be asking ourselves, “what is it that I long for?” “What do I lament that has passed?” “What do I wait for with a fathomless yearning?” “What would make me sing, my voice quivering, with the same passion and emotion I hear in Cave’s voice?” 

    Your soul is my anchor
    I never asked to be freed

    To be anchored in God’s soul means that our desire is God’s desire. We wait, deeply desiring and longing for all that God longs for on this earth. ‘On earth, peace and goodwill to all’ has become a cliché of Christmas. It is the greeting of the heavenly host to the shepherds from God and as such is no cliché, but a message from the heart of the divine. This is what God desires.

    ‘A priest runs through the chapel, all the calendars are turning
    A Jesus freak on the street says He is returning
    Well sometimes a little bit of faith can go a long, long way
    Your soul is my anchor, never asked to be freed’

    Too often waiting is seen as an eschatological exercise. We want a different world, restored relationships, water and food for all and peace on earth. Yet our generation seem content to accept this as a pipe dream, and our hopes are focussed instead, while ‘the calendars are turning’, to a day when He returns and all will be well! Yet waiting should never be about apathetic acceptance. 

    There is no acceptance in Cave’s vocal or lyric – there is only longing.

    The longing and yearning of waiting cannot accept what is. To be anchored in God’s soul is to ask never to be freed from our desire to see, and do all we can to ensure, peace on earth and goodwill to all. This waiting, this longing, this yearning leads us to allow our little bit of faith to go a long, long way in action.

    ‘Waiting for you
    To return
    To return
    To return’

    Jesus told a story about goats. The goats were dedicated to the King and longed for him to return. They waited to serve him, and to pander to his every need. If he was overthrown in a coup they were ready to visit him. If he was on his sick bed they would be there too. They waited in their chapels as the calendar turned. One or two of them even shouted loudly in the street that the King would return. As they waited for him to return, others waited in the queue at the Foodbanks, waited for access to clean water and were arrested and languished in prison with no visitors.

    Yet, when the King returned he banished the goats from his Kingdom. They were dismayed and didn’t understand. They believed they had been faithful in waiting. The King explained that he was angry with the goats because while they had been waiting for the King to return they had done nothing to achieve the aims of his Kingdom. While they had been dreaming of a future Kingdom, they had failed to help those in their midst who were in need. To realise the kingdom in his absence.

    There were sheep in this parable too. The sheep had spent their time in the King’s absence, not waiting, but acting as if the King were with them, always ready to serve those in need. On his return it was the sheep who the King welcomed into his Kingdom… 

    …true love dwells and even grows in the waiting space…

    Find out more about Nick Cave at http://www.nickcave.com

  • ‘Let’s Go Dancing’ – Shed Seven

    Gill writes:

    I don’t know about you, but it feels to me like there have been too many moments recently when the world feels as though it’s holding its breath. This past week has been one of those — on Wednesday, for example, when I woke early and immediately checked the news. It seemed like Armageddon was less a metaphor and more a possibility. In those moments, I think we are confronted with a real question of faith: how do we live fully, love well, and hold onto joy when everything around us feels so scarily fragile?

    Last summer, my husband Rob and I found ourselves caught between grief and celebration in a way we hadn’t quite anticipated. We had travelled to Sheffield to see Paul Heaton (supported by The Lightning Seeds and Shed Seven). It was a proper nice occasion – catching up with friends and full of anticipation. Then the call came.

    Our dog, Brontë (who was in boarding kennels), had to be rushed to the vet. Her back and her rear legs had given way, paralysed without warning. The conversation with the vet was one of the hardest we’ve had. We made the decision — the one that no pet owner ever wants to make, and we made it from a distance; unable to be there and hold her. We had to trust Hayley, the wonderful owner of the boarding kennels, to be the hands we couldn’t be; to be with Brontë, speak gently and let her know she was loved.

    For a moment, we genuinely didn’t know if we could face going to the gig. It felt almost wrong to be standing in a crowd, waiting for music, when our hearts were filled with grief. But our friends were there. We had the tickets. We were a couple of hundred miles from home. And so we went.

    And then Shed Seven took to the stage and played ‘Let’s Go Dancing.’

    The song isn’t the gentle, reassuring ballad that it hints at. There’s an urgency to it, and a cry for the moments when the world is falling apart around you, and probably the only response is to grab hold of someone you love and move. Let’s go dancing while the world caves in. It feels like there’s something almost rebellious about that, and standing there that evening, with grief still raw, it meshed so relatably for me in that moment. A reminder that joy is not the absence of pain. Sometimes joy is the most courageous thing we have left to offer.

    All evening, we sang until our throats were raw. We danced. We laughed through tears, put our arms around each other, and raised a glass to Brontë Dog. It was messy and joyful and grief-stricken and alive, all at once. And it was, I think, exactly where we were supposed to be.

    It strikes me that Jesus understood this. He could have spent his last evening in solitude or in sorrow — and who would have blamed him? Instead, he gathered the people he loved around a table. He broke bread, he poured wine, and he was entirely present in that fragile, fleeting moment. The Christian faith has never pretended that joy and grief are opposites. They sit together at the communion table. They show up together at the graveside. And apparently, they dance together at football grounds in Sheffield on warm spring evenings.

    Brontë, like all dogs, had no interest in yesterday’s regrets or tomorrow’s worries. She lived in the moment with an uncomplicated enthusiasm. Every walk was the best walk. Every greeting was the greatest greeting. Every sofa was made especially for her to lie on. In a way, I can’t help think that she was, perhaps, more faithful to the spirit of the Gospels than most of us manage to be!

    Nearly a year on, she lives on in our memories — and in the small but persistent lesson she left behind. When the world feels heavy, when the news is bleak, when we don’t know what tomorrow holds — be present. Be with the people you love. Hold them close. And if you can, if you can hear music and you can see lights, let’s go dancing

    Find out more about Shed Seven at https://www.shedseven.com/

  • “Spiegel im Spiegel” – Arvo Pärt

    Marc writes:

    When the boss requests that you write a good “Friday Fix” you begin to doubt the quality of what you’ve submitted in the past… But I’m choosing to think she really wanted me to write a Friday Fix for “Good Friday”.

    And yet I didn’t know where to start to write a GOOD Good Friday Friday Fix… So I did what is increasingly done in our world: I asked AI to help. And back came an eclectic playlist of 19 songs with “Good Friday vibes”. (https://open.spotify.com/playlist/3RYL43Nt3dlSGb7nXuvvtn?si=2a9c3ab658e449b3)

    Some of them didn’t do it for me, and I couldn’t see why they might have been chosen. Some had too much hope, with too many resolved chords, too much major and not enough minor. Some were too “full”. Many had too much hope.

    Others had glimpses of what Good Friday feels like for me. I noticed there were a couple that had an underlying “static” (though that might have been my earphones!), which resounds with the confused buzz I imagine the disciples had that afternoon. There were snatched lyrics and motifs that do that Friday a little justice, but they too were resolved too neatly and quickly. For this to be a Fix for Good Friday, we need to stick with Friday and not rush to Sunday.

    Because I think we do that too often. We jump to the resurrection because we know the story continues. We skip forward to the joy and the resolving of the music rather than sitting with the minor keys and the static and the silence that should mark the Friday and the Saturday of that Passover weekend.

    And so I came full circle back to the first song on the playlist.

    I’m not a classical music buff. In fact, I’m not sure I could tell my Bach from my Beethoven, and who even knew there was more than one Mozart!? But I do like films and TV, and sometimes the music makes all the difference.

    This is one of those tracks. “Spiegel im Spiegel” (translated “mirror in the mirror”) by Arvo Pärt has appeared in the background alongside a number of scenes in film and television. Perhaps you’ve listened, and you’re wracking your brain to work out which scenes came back to mind for you. For me, it was the final episode of “The Good Place”, when (SPOILER ALERT) Eleanor realises that Chidi is leaving, and the episode of Ted Lasso where a broken Nate Shelley picks up his violin and it underpins his shame, Sam Obisanya’s sadness, Roy Kent’s confusion, and a lamenting cry from the heart from Rebecca Welton.

    The music strips everything away. It’s simple, and it’s sad. It is predictable and consistent, inevitable. And yet it conveys infinite mystery and a wondering of what really comes next, and will this ever resolve… It is “the idea of a sound that is simultaneously static and in flux”  (https://tinyurl.com/ycjjurp4). The style itself, called “Tintinnabuli”, was created by Arvo Pärt. It exists to strip the ego and focus the mind.

    Of the style, Pärt has said:

    “Tintinnabuli is the mathematically exact connection from one line to another…..tintinnabuli is the rule where the melody and the accompaniment… is one. One and one, it is one – it is not two. This is the secret of this technique.”  (https://tinyurl.com/mua79e8c)

    “Tintinnabulation is an area I sometimes wander into when I am searching for answers – in my life, my music, my work. In my dark hours, I have the certain feeling that everything outside this one thing has no meaning. The complex and many-faceted only confuses me, and I must search for unity. What is it, this one thing, and how do I find my way to it? Traces of this perfect thing appear in many guises – and everything that is unimportant falls away. Tintinnabulation is like this.”  (https://tinyurl.com/ycjjurp4)

    This piece, in all its simplicity, is deep and mournful. It could easily lie underneath the feelings and experiences surrounding the cross on Good Friday, without drawing us too quickly to the hope of the resurrection. I can feel the brokenness and disillusionment of the disciples who have lost a friend and mentor, who have seen their hope for life in all its fullness stripped of its final breath.

    I can picture the sky turning dark and the curtain tearing in two. I can hear the wails of a weeping mother. I can see the blood. Everything else is stripped away, and I am trying to make sense of this moment. Where is the meaning even in this one thing? Everything pales and becomes distant in the light of this darkness.

    I’ve picked this version in particular because of the cello. I’m musical, but if ever I was going to learn to play a “proper” instrument, it would be the cello. There’s something about the richness of the sound, the depth that conveys sorrow as it drones and reverberates, that is so beautifully sad, raw and real.

    What would we experience by allowing this piece to sit underneath the crucifixion today?

    Before the silence or the static of tomorrow…

    And yet it is, for me, that the cello also emits a sound that sings of hope.

    Having said we shouldn’t be jumping to Sunday, and that this piece evokes all the imagined feels of the lived experience of the disciples on that Friday, I think I could quite comfortably also play this piece under the resurrection.

    Placed under the crucifixion, the hope seems lost, but under the stone rolling away and the Son rising, I think this same piece might also have something equally beautiful and real to reveal. But that’s for Sunday morning.

    Perhaps you could try it?

    Find out more about Arvo Pärt at https://www.arvopart.ee/en/

  • ‘Let Your Light Shine’ – Kate Rusby

    Kristie writes:

    This is one of my favourite songs from last year. I was lucky enough to hear Kate sing it live, and she introduced it by saying it was written for her teenage daughters as an encouragement for them to become who they wanted to be. She also said what a joy it was to have Barnsley Youth Choir sing with her – and I can hear that joy in this song (and see it in the video!)

    There’s a lot on the choices we all have: “You can buy in, you can sell out, you can take time to work it all out” – for me, the taking the time to work it out is the becoming – and all of us at all ages, when we take time to work it out, are in a process of becoming who we want to be, who we think God wants us to be.

    I’ve been particularly struck by the line “You can run wild, you can be good, do as you want or do as you should”

    It feels like only now, in my 50s, I realise that I have such choices – that being good or doing what I should aren’t the only options!! I suspect that kind of realisation isn’t what’s expected when we focus on “becoming” during Lent. But there’s something liberating about realising that we don’t have to only be a narrow version of ourselves, based around the messages we first received about ourselves as children. My recent reading of some queer theologies has me thinking about how God doesn’t see us as fixed, but continually becoming, transforming into who God is encouraging us to fully be. There’s some necessary unlearning, then relearning to be done.

    There’s no set pathway for our becoming – “You can fly high, you can dig deep, cling on or take a big leap”. There are times that in order for us to blossom, we need to cling on securely and dig deep into what grounds us, whereas other times it does involve that huge leap of faith into the unknown. Similarly, “You can let go, you can hold strong, shy as you like or sing your own song, but let your light shine.”

    Kate is quoted as saying the song is “about embracing who you are, having faith in your unique gifts, and letting the world see your light. Be strong, be positive, and be kind.” I appreciate that life isn’t as simple as just saying our “shadows will be gone” and am wary of any toxic positivity, but I also see value in remembering that our call is to let our light shine rather than hide it under anything. That’s who I hope we all can become.

    Find out more about Kate Rusby at https://katerusby.com/

  • ‘Kind and Generous’ – Natalie Merchant

    Sally writes:

    It’s a 90s album track you may not be familiar with, but if you listen closely, it’s a masterclass in the humility of being the recipient.

    ​​”You’ve been so kind and generous / I don’t know how you keep on giving.

    ​Merchant, who was in the band 10,000 Maniacs and has had far more US chart success than in the UK, isn’t the one doing the heavy lifting in this song. She is the one standing in the light of someone else’s benevolence.

    She is acknowledging that she didn’t get here alone. She is recognising the power of receiving. She is comfortable and happy to note the ways in which she has received.

    In our culture, we pride ourselves on being the givers. Giving is powerful; it’s active; it’s in control. Receiving, however, is vulnerable. To receive a gift—whether it’s a compliment, a helping hand, or Divine Grace—is to admit that we are not self-sufficient.

    So the challenge to you this week is, are you as willing to receive as you are to give?

    Find out more about Natalie Merchant at https://www.nataliemerchant.com/