Category: Uncategorized

Tom writes:

I pray to God it will be one of the last memories I lose, should my memory start to fade (at least in relation to music). Somewhat surprisingly, it is not of the Glastonbury Festival, or the Indie Discos of my university days, or secret moments of dancing around the house. No, it is far more traditional than that. Staying at Sarum College in Salisbury, feeling in somewhat of a funk, I took myself over to the cathedral for evensong. To be honest, as the service progressed I was operating pretty much on auto-pilot, with the music simply washing over me. That is, until we reached the Magnificat. The setting was that of Orlando Gibbons’ Second Service, not a setting I knew until that point. Suddenly my mood lifted and I felt an energy I had not felt in quite some time.

To start with, the impact was fairly gentle, but as the piece built the charge it gave me grew. I have always found the Magnificat to be a fairly radical prayer – prophetic both in its claiming eternal blessing for a woman, and in its sense of God’s justice. As I not only listened but heard Gibbons’ setting, as it grabbed me, it felt I was hearing its prophetic power anew. Gibbons, it seemed to me, and still seems, understood its prophetic power in a way few religious composers have. And it seems to me that prophetic power must itself have coursed in his veins as he wrote his Second Service. He was a member of the Royal Chapel from about 1603, and spent much of his musical career under the
patronage of James I amongst others of significant power and wealth.

It is remarkable, therefore, that he should choose to musically highlight that part of the Magnificat that speaks of God’s preferential option for the poor and the just judgement that the rich and powerful face. The most repeated line (Jacobean polyphony and verse work includes much repetition of lines) in the whole piece is “He has scatterèd the proud” – one could find few more proud in the Jacobean Court than James himself! Over and over again, Gibbons emphasises Mary’s expression of God’s disdain for the proud, powerful and rich and the priority given to the humble and hungry. When one considers his need for patronage, and the reality that this piece would undoubtedly be performed before the highest echelons of the still-feudal aristocratic society, one cannot surely be failed to be moved to think that it must have taken great courage, no doubt inspired by the same Spirit that inspired Mary, for Gibbons to set the words of Mary’s great prophetic words in a way that itself was prophetic, speaking great truth to significant power.

When I need reminding of the power and good news of the Gospel, I turn to the Magnificat and to Gibbons’ Second Service setting of it. In doing so I am reminded of God’s willingness to unexpectedly engage with a young woman in the work of the incarnation, of God’s justice and the truth that in the incarnation the ways of the world have been turned upside down, and of the reality that God’s Spirit has used the words of Mary recorded by Luke to inspire further generations to speak prophetically to those in power.

Gill writes:

Okay. So yes. I could have opted for the original version by Marvin Gaye and Tammi Terrell. Believe me, it took me ages to decide which version to choose as I love both equally (and yes, I know there are more versions out there than these two…). In the end, I decided to go with the Diana Ross version because this Friday Fix is also influenced by a favourite film of mine which has this version as part of the soundtrack.

The whole story behind this song is interesting in itself. It was penned by songwriting couple Ashford and Simpson in 1966, and despite Dusty Springfield being keen to record it, Ashford and Simpson held on to the song because they really wanted it for the Motown label. In 1967, the song was recorded by Marvin Gaye and Tammi Terrell and it became a hit. A few years later, in 1970, the song was the first solo hit for Diana Ross after parting company with The Supremes.

The ‘mountains’ that inspired Nickolas Ashford were actually the skyscrapers of New York and the thought came to him that even obstacles as tall and intimidating as these structures couldn’t quash his dreams and aspirations. As he pondered these ‘mountains’ with his wife, Valerie Simpson, they began to think about the peaks and troughs of love and the song was born.

To me, the Gaye & Terrell version comes across as very much a love song between two people; whereas this version feels more like a song about love in the wider sense. I sense empowerment and liberation in it; an acknowledgment that the act of loving involves letting go and watching from afar. It captures the love that realises that it doesn’t have any control over what happens to those they care about; it also highlights that to receive love involves asking for it too. Something that might not come easy to some of us.

If you need me, call me
No matter where you are
No matter how far
Just call my name

Just call my name. Ask and it shall be given.

I mentioned earlier that this song instantly invokes memories of one my favourite films. Some might be thinking ‘oh yeah, the ending of Guardians of the Galaxy‘ – and to be honest, that scene is probably a helpful way to understand unconditional love. However, I’m referring to Bridget Jones’s Diary. And to gently highlight a little observation of mine that I’m not sure many film critics have noticed.

I’ve said in previous Fixes that I love a good soundtrack and that if chosen well, it helps make a film. The soundtrack of Bridget Jones’s Diary is a great example, in my opinion. And the way that this song is used in the film is genius. Because it is used twice. Once when Bridget realises that Mark Darcy really does like her ‘just as you are’, and boots her Dad out of the driving seat so that she can get to the Darcy’s Ruby Wedding as quickly as possible (and thus declare her true feelings); and the second time is during the final scene when Bridget realises something once again and goes running through the snowy streets of London in camisole, knickers, cardi and trainers.

The song used this way reminds us that not only Bridget’s love life but life in general, is full of challenges and successes. Bridget thought she had summited the mountain of her love on her way to the Ruby Wedding, only to be confronted by an unseen obstacle that prevented her getting any further at that point. However, she had another chance at the summit which had a different outcome for her.

Mountains don’t often sit on their own, they are usually surrounded by a range of mountains. Some mountains are pretty straightforward to climb, many mountain ranges have lush valleys and plateaus to rest and enjoy, and then there are the mountains where we think we’ve reached the summit only to find that there’s a little way and a steeper climb yet.

Mountains are also key places in the bible. They are places of transformative encounters. Places of visions, covenants, transfigurations. Mountains are often thought to be places of spirituality within many beliefs and religions, in fact. If you have ever stood at the top of a mountain, you will know the light, the peacefulness and the beauty that exists there. 

But it is also the descent that holds importance too. People on the way down a mountain share their experiences and talk about what they have seen. Reaching the top of a mountain helps us to see the bigger picture, and it also helps us to understand the terrain that we might still need to tackle or support others through. 

The key thing is – we don’t have to navigate this all alone because we are not alone. There is love completely surrounding us. And there is also love from a distance, willing us on and moving in, willing to swoop if needed. Just reach out for it (as Ashford & Simpson also wrote in a different song…).

Ain’t no mountain high enough
Ain’t no valley low enough
Ain’t no river wide enough
To keep me from you

Find out more about Diana Ross at https://www.dianaross.com

Looking for a playlist to start 2024 with?

Well – have a listen to the Friday Fix 2023 Playlist on Spotify –

But don’t stop there!

Go and see them live in 2024 if you can. 

The following bands from the playlist are touring so go and support these artists that we love:

Depeche Mode – https://www.livenation.co.uk/artist-depeche-mode-3848

Elbow – https://www.ticketmaster.co.uk/elbow-tickets/artist/886289

Foo Fighters – https://www.ticketmaster.co.uk/foo-fighters-tickets/artist/776005

Jamie Webster – https://www.jamiewebstermusic.com/

Lucy Spraggan – https://lucyspraggan.com/tour/

Foo Fighter’s Hearing Voices’ is clearly about grief. The whole album feels as though it is a form of processing grief, that of the deaths of drummer Taylor Hawkins and Dave Grohl’s mother, Virginia. But Grohl is on record as recognising that part of the joy of music is that people find different meanings in the same song. For me, the song, and the idea of seeking out a particular voice, brings to mind a different experience. 

Now, to tell this story I need to be clear that while I grew up in the Church, the son of an Anglican parish priest, it was very much the rational, reasonable, liberal-to-radical part of the Church. To put it bluntly, I was more likely to think someone who told me God had spoken to them was psychotic rather than a saint! 

It is important to know this because I have no other way of describing the situation I found myself in other than saying that God spoke to me! And I know how crazy that sounds because I grew up thinking the same. In fact, the cynic in me is probably still more likely to lean towards hearing God’s voice as a sign of mental breakdown than of divine revelation. 

Yet, this is my story. As I say, I grew up the son of a ‘preacher man’ (to coin a phrase), and faced the usual comments from usually well-meaning folk, asking, “When are you going to follow your dad into the ministry?” In my late teens and early twenties my stock answer was that “the only kind of minister I plan on being is the kind who sits on a green leather bench.” 

However, as my non-political career developed, I found myself in a job that I loved, working with a team of people I loved working with. It’s important to know that – I’d done jobs I didn’t enjoy, but I loved this one. Then, one afternoon, sat alone in my office, at my desk, working on a particularly exciting project, I heard a voice in my head say, “You should be a minister.” Now, I could have ignored this. It was, after all, a nonsense – I was doing a job I loved and heading in a good direction both in terms of work and social life. Why would I let go of all of this to head in an entirely new, and to my way of thinking entirely undesired, direction? 

Yet the voice was insistent, and I took it seriously precisely because I could not consider it my own voice – I would never have said that! So, as stupid as I thought it sounded, I told my then-girlfriend (now wife), my minister, my dad, some friends I trusted (faithful, agnostic and atheist). None denied the idea was somewhat amusing, but also none suggested it was unreasonable. So here I am, closing in on 20 years later, an ordained minister, in circuit for over 11 of those years. 

Since then, I’ve continued to hear voices – as a depressive and sufferer of anxiety, Black Dog’s voice is a familiar one, sometimes quiet and sometimes overwhelmingly loud; my own voice is also familiar to me as someone who has a very keen internal monologue; and there are the voices of those who have helped or hindered me down the years, who continue to echo around my mind. But only that once would I say I heard the voice of God speak straight to me. 

The journey since has not been easy, but I know what I heard, and I will never regret listening to what it said. And I keep listening, just in case…

Lyrics

I think I spoke too soon
It’s time to clear the air
It’s quiet in my room
The silence is unfair

I’ve been hearing voices
None of them are you
I’ve been hearing voices
None of them are you

Late at night, I tell myself
Nothing this good could last forever

No one cries like you
No one cries like you

I’ve been hearing voices
I’ve been hearing voices now
I’ve been hearing voices
None of them are you
None of them are you
None of them are you
None of them are you

I’ve seen you in the moon
I wish that you were here
You promised me your word
A whisper in my ear

Every night, I tell myself
Nothing like you could last forever

No one cries like you
No one cries like you
No one lies like you
No one lies like you

I’ve been hearing voices
I’ve been hearing voices now
I’ve been hearing voices
None of them are you
None of them are you
None of them are you
None of them are you

Speak to me, my love
Speak to me, my love

I’ve been hearing voices
None of them are you
I’ve been hearing voices
None of them are you

Speak to me, my love
Speak to me, my love

Source: Musixmatch

Songwriters: David Grohl / Pat Smear / Rami Jaffee / Christopher Shiflett / Nathan Mendel

Hearing Voices lyrics © Mj Twelve Music, Flying Earform Music, I Love The Punk Rock Music, Ruthensmear Music, Tovy Tunes

If anybody has watched the Louis Theroux documentary with Stormzy, you’ll know that in it Stormzy talks candidly about his life and his battles with poor mental health. Watching it, you get the sense when Stormzy talks about being broken and afraid, it’s real. This is somebody who has been there and has integrity.

When I first heard ‘Blinded by Your Grace Part Two’ I could fully relate to the lyrics and knew that Stormzy was authentic because I’d been there too. 

If we go back to the first Sunday of the new millennium, 2 January 2000, I was a single mum living on benefits; having escaped having my flat repossessed by the skin of my teeth. I had spent a couple of years completely broken, suffering reactive depression and being afraid of life and my ability to cope.

I walked into a church and saw that they were giving out stickers that had a Bible verse on saying, “‘For I know the plans I have for you,’ declares the Lord, ‘plans to prosper you and not to harm you, plans to give you hope and a future.’ (Jeremiah 29:11)”. I didn’t know whether to laugh or cry. For me at that point plans to prosper went about as far as it being a good week for offers in Iceland and Sainsbury’s.

To cut a long storyshort, I decided to say to God, “Okay, if this sticker means anything I’m going to hold you to it.” Nine months later I went back to university to study for a PGCE, and started a new life, just me and my daughter, halfway across the country from our family.

When I look back at those times and think about the nightmare my life was – a totally broken mess – I see the journey I’ve been on. I, too, am blinded by God’s grace and the way he has been with me, helping me rebuild my life. Yes, I needed to do my bit, but God did fix my life and has been with me as I’ve moved forward. Some of that has involved God working through the right medication but it’s also been a whole lot more that I can’t describe. The key thing is that I’m no longer afraid.

So, when I heard this song for the first time, I immediately got it. You know when someone else has been ‘there’; not through the same experience but has felt that level of pain and hopelessness and come out the other side, so thankful that they’re not in that place anymore. That’s what the lyrics of this song express to me. 

Lyrics

I’m Blinded By Your Grace (By Your Grace)
I’m Blinded By Your Grace, by your grace (By Your Grace)
I’m Blinded By Your Grace (By Your Grace)
I’m Blinded By Your (By Your)

Lord I’ve been broken
Although I’m not worthy
You fixed me
I’m Blinded By Your Grace
You came and saved me

Lord I’ve been broken
Although I’m not worthy
You fixed me
Now I’m Blinded By Your Grace
You came and saved me

One time for the Lord
And one time for the cause
And one round of applause
One time for Fraser T Smith on the chords
I think we got one, I stay prayed up then I get the job done
Yeah, I’m Abigail’s yout, but I’m God’s son
But I’m up now, look at what God’s done
Now I real talk, look at what God did
On the main stage runnin’ ’round topless
I phone Flipz then I tell him that we got this
This is God’s plan, they can never stop this

Like, wait right there, could you stop my verse?
You saved this kid and I’m not your first
It’s not by blood and it’s not by birth
But oh my God, what a God I serve

Lord I’ve been broken
Although I’m not worthy
You fixed me
I’m Blinded By Your Grace
You came and saved me

Lord I’ve been broken
Although I’m not worthy
You fixed me
Now I’m Blinded By Your Grace
You came and saved me

I said a prayer this morning
I prayed I would find a way
To another day, I was so afraid
‘Til you came and saved, you came and saved me
And the rain was pouring, ’cause the sun faded away

Now I’m in a better place, no longer afraid
Blinded By Your Grace, you came and saved me, yeah

I said a prayer this morning, I prayed I would find a way

To another day, I was so afraid
‘Til you came and saved, you came and saved me

And the rain was pouring, ’cause the sun faded away
Now I’m in a better place, no longer afraid
Blinded By Your Grace, you came and saved me, yeah

Lord I’ve been broken
Although I’m not worthy
You fixed me
I’m Blinded By Your Grace
You came and saved me

Lord I’ve been broken
Although I’m not worthy
You fixed me
Now I’m Blinded By Your Grace
You came and saved me

Source: Musixmatch

Songwriters: Jermaine Scott / Dion Wardle / Uzoechi Osisioma Emenike / Varren Wade / Michael Ebenazer Kwadjo Omari Owuo Junior / Fraser T Smith

Blinded By Your Grace, Pt. 2 lyrics © Razor And Tie Music Publishing, Saulty Songs Limited, Music Of Ctm Outlander Music Lp.

We would love to hear about how this song made you feel. Make sure you share your thoughts with us on social media, by tagging our account on X (formally Twitter), Facebook, Instagram or TikTok and using #OutOfTheOrdinary.

Clarification – For our reflection on the 14 December, Adela Samayoa was introduced as a Mission Partner. While Adela is a greatly valued member of our partner Church in El Salvador and a partner in our shared mission with God, she is not part of the Mission Partner programme of the Methodist Church in Britain. Our apologies for any confusion caused.

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I’m sure, like me, you have found yourself at some point in your life caught up in a situation where, although things don’t feel quite right, you can’t seem to prise yourself away from it to move on. It may be a set of circumstances that has been imposed on you and from which you see no escape; it may be a friendship with someone who seems to suck the joy out of life; it may be a place where you don’t feel safe or where you can be yourself.

Although this is a classic ‘break-up’ song from Gabrielle, I think the meaning of it can be also be applied to any situation or relationship that has needed to come to an end. A career move; a move to another house, or town, or country; that bittersweet and gradual transition from childhood to adulthood; a decision to end a friendship or relationship; a congregation having to decide to close their church. 

Endings are a big thing aren’t they? They can be sudden and a shock to the system; they can be planned and carefully thought through; they can be welcomed and anticipated with excitement or enthusiasm; or they can be consistently avoided until there’s no other way than to bring things to an end.

The verses in ‘Rise’ capture the key emotions of a period of transition. The first verse is all about disbelief, denial and a touch of scepticism; verse two is all about processing; unpicking and coming to an understanding of what is happening; and verse three is acceptance and starting to move on. 

It’s funny really that we can be so resistant to change when fundamentally that is what life is. “It is when we are in transition that we are most completely alive.” says William Bridges. It’s when we question, push back, wonder, learn and grow. 

I’m not keen on the saying that ‘God doesn’t give us anything we can’t handle’ or that ‘everything happens for a reason.’ What I do see is that it’s the richness of life’s experiences and the moments of doubt, insecurity and worry that can lead us to a place of hope. If we embrace these times and wrestle with them, it can truly be a time for growth and understanding – and who knows where that may lead us. 

One of the messages that we hear every year during Advent and Christmas is ‘Fear not’. That’s what speaks to me in this song. You may have been laid low, and yet, there are hopes, and there are dreams, and there are bridges from these scenes and the opportunity to ‘rise’ again. 

Lyrics

I know that it’s over
But I can’t believe we’re through
They say that time’s a healer, yeah
And I’m better without you
It’s gonna take time, I know
But I’ll get over you

Look at my life
Look at my heart
I have seen them fall apart
Now I’m ready to rise again
Just look at my hopes
Look at my dreams
I’m building bridges from these scenes
Now I’m ready to rise again

Caught up in my thinking, yeah
Like a prisoner in my mind
You pose so many questions
That the truth was hard to find
I better think twice I know
That I’ll get over you

Look at my life
Look at my heart
I have seen them fall apart
Now I’m ready to rise again
Just look at my hopes
Look at my dreams
I’m building bridges from these scenes
Now I’m ready to rise again

Much time has passed between us, hmm
Do you still think of me at all?
My world of broken promises
You won’t catch me when I fall

Look at my life
Look at my heart
I have seen them fall apart
And now I’m ready to rise again
Just look at my hopes
Look at my dreams
I’m building bridges from these scenes
Now I’m ready to rise again

Yes, I’m gonna rise
Gonna make it alright
I’m gonna be who I wanna be
Yeah baby, yeah, yeah

I’m gonna make it alright
I’m gonna make it alright…

Source: Musixmatch

Songwriters: Bob Mitchell / Phil Radford

Rise lyrics © Emi April Music Inc., Sony/atv Music Publishing (uk) Limited, Perfect Songs Ltd., Ram’s Horn Music, Black Tide Inc., Promised Land Music Ltd., Westbury Music Limited, Chrysalis Music Ltd, Kobalt Music Services America Inc Kmsa, Perfect Songs Ltd, Promised Land Music Ltd

As I typed that, I heard the voice of Sheena Easton singing it…

Anyhow.

For the next four weeks, the Friday Fix is going to be ‘Out Of The Ordinary’ and won’t drop a reflection each Friday. This is because a handful of our regular contributors were asked if they could write a reflection for the Methodist Church’s Advent campaign ‘Out of the Ordinary’ this year – and it makes much more sense to share those reflections as they are released each week.

So – for Advent only – look out for a ‘Saturday Shot’ instead!

Tom writes:

I am a big fan of cover versions. This might be a controversial thing to say, since cover versions can somewhat divide opinions – among both musicians and fans – but it’s nonetheless true. There are those, such as the late Prince, that would argue that in no other art form is an artist so little in control of who can produce different versions of your intellectual property – if another musician pays for the appropriate mechanical licence there is generally nothing the original artist can do to stop an alternative version being performed, recorded, and distributed, even if the new version is disliked by the original composer or performer. Of course, proper acknowledgments need to be given, but beyond that, once you put music out there, any other artist can pretty much cover it any way they like without your say-so.

This can, of course, result in cover versions becoming better known than the original. For example, the late Sinéad O’Connor’s cover of Prince’s ‘Nothing Compares 2 U’ is undoubtedly better known than Prince’s own versions – the Irish woman certainly comes above the Minnesotan man in a Spotify search. Yet the debate will rage as to whether a cover version is actually better than the
original. I’d personally argue that almost any cover of a Bob Dylan song is better than the original – because while I think Dylan is an amazing songwriter I don’t think he’s a great singer, but plenty of Dylan fans would passionately disagree with me, and I suspect Dylan would too!

Yet sometimes a cover version can almost indisputably be considered superior to an original, so much so that the song somehow becomes the property of the later artist. I would suggest that one such song is the Johnny Cash version of Nine Inch Nails’ ‘Hurt’. And if any NIN fans want to disagree then I’ll simply point out that Trent Reznor himself is on record in several places as saying that it’s Cash’s song now rather than his.

Recorded for the album, American IV: The Man Comes Around, in 2002, it was the video of the song released the following year that truly captured the imagination of critics and the popular music-listening population. In it, Cash takes an industrial rock track about the writer’s struggles with heroin addiction, and turns it into a meditation on life, love, faith and mortality (the mystique and emotion of Cash’s version is rooted in part by the reality that by the end of 2003 both Cash’s wife June Carter Cash and Johnny himself had both died from medical complications). Most notably, the conversion to a religious reflection comes as Cash changes just one word from the original, moving from singing about the wearing of a crown of “shit” to instead referencing one made of thorns.

For me, Cash’s incredible cover reminds me that nothing is irredeemable in this world. To be clear, I’m not sold on the idea Reznor’s original needs redemption, yet even those who might argue it does would struggle to argue against the idea that this is precisely what Cash has managed to do. Cover versions may be controversial, but their existence enables artists to offer new possibilities, challenge presumptions, and create new ways of engaging with the transcendent.

You can still visit Johnny Cash’s website at https://www.johnnycash.com/

And you’ll find Nine Inch Nails at https://www.nin.com/

Jane writes:

So anyone who knows me well knows I love this band. In fact, I have written about their work before as part of the Fix. Getting my tickets for the upcoming ‘Silence is Easy’ anniversary tour has made me very happy and brought on a lot of track re-visiting.

James Walsh’s distinctive voice is something that draws me in but also always the lyrical content and of course, the
ever-present opening line…

But for the grace of God, she’d cry herself to sleep

It’s not news to me, it’s probably not news to you either if you follow the Fix regularly, that I am attracted to desperately complicated or sad songs. Those expressing deep emotions and I’m not averse to them leaving me desolate frankly. I’m also not under any illusion that it’s not everyone’s cup of tea.

My friend said to me once “Jane, you need to get a better playlist ‘cos this one’s not good for you” but I do think that sometimes letting your soul speak through music avoids hiding pain deep inside.

Despite appearances, this isn’t totally one of those songs because there is something really deep within it that talks about a change of perspective, a change of circumstance, and offers some sense of hope. I have no idea really why this girl is struggling so. Why she needs someone to sing to her. Why she is criticized so and needs someone to stick up for her. Why people feel so compassionate towards her. What or who has a hold over her.

All this not knowing makes me wonder about which character I am in the story, where the resonance sits and what I might sing to relieve the distress (answers on a postcard please). It also makes me wonder if I have any kind of handle on it at all! (Oh and I have a secret fear that whatever she is experiencing is because someone’s view of God is being forced on her and the blessings come when she can get away from the pressure. This fear I’m trying to bury)

But for the grace of God, she’d cry herself to sleep,
Because the grace of God is something she can’t keep

Oh, it won’t be long until their hold is broken,

Oh it won’t be long until we’ve found our home

It’s for the good of you I sing sweet melody,
They’ll cast the first stone when the last one’s out of reach

Oh, it won’t be long until their hold is broken,
No, it won’t be long until we’ve found our home

Forget where to begin
Mother, I have not sinned
I have not…

The talk of God and all sorts of other biblical imagery ripple through this song like a stick of Blackpool rock. Just what is God is doing that’s so powerful to make a change and make her realise that the grace of God is something she can
keep and brings relief.

But for the grace of God, she’d cry herself to sleep,
But now the grace of God’s the reason that she weeps

When summer comes
Light my life
Snow will melt away

I was born again, I was born again,
Not into the world they put me in

She was born again, she was born again,
Not into the world they put her in

The hope and the spirit
I’d rather not fear it

Being born again can be one of those glib Christian statements thrown around to describe a type of faith or a conversion experience. Biblically it’s part of a much deeper conversation around how to be wholly different. The need for a real new sense of perspective and that to see God’s kingdom and purpose revealed requires an acceptance of something beyond yourself. The spirit at work. A revelatory change.

I’ve dug around to see if the writer has ever explained this song and I can’t see anything. In a way that’s a good thing. The questions keep coming but it’s clear to me, from lyric and musical urgency, that something has changed and made a difference. If we could all grasp onto a bit of that deep change we’d maybe be living very different lives.

You can, as ever, find out more about Starsailor here https://www.starsailorband.co.uk/