The Friday Fix

  • ‘The World That Was’ – The Proclaimers


    Dawn writes:

    I’m writing this the day after the General Election of 2024. I didn’t stay up to watch the result come in live. Honestly, I’m pleased that the Tories are no longer in charge of the government but I have a feeling we’re just replacing like for like.

    What causes me alarm, like many people on my own social media, is the rise of the far-right campaigns. I’m no political commentator but even I can see the 4 seats (now 5 – Ed.) that the Reform Party have gained are in particular areas with possibly the exception of one (Ashfield in Nottinghamshire) are eastern coastal towns that are in some of the poorest areas of Great Britain.

    I grew up in Clacton-on-Sea and when I visit friends I see a ghost town, with few jobs and low prospects for those living there. Many are the reasons for this, not least underinvestment in our coastal towns who relied in the past on either fishing or tourism.

    This song is on my favourites playlist to remind me that looking to the past with ‘rose-tinted glasses’ isn’t beneficial to either my mental health or being in the present moment. Political ideologies that prey on people’s dodgy memory of a past that never was are repeating the same mistake we made (in my opinion with Brexit).

    The President of the Methodist Conference in her opening address this year
    spoke of holding the past accountable and seeking justice in the present (full address here). Those who serve predominantly in the institutions of the Christian church are often met with congregations who will frequently tell you that ‘it was always full in my day”, “the stage was full of children on Sunday School anniversary” and some other remarks offered sometimes as a criticism of the way things are now.

    It’s true there are fewer people attending formal Sunday worship in established buildings, BUT there is a rise in many places that are offering something different, building relationships with non-religious social charities. Joining social action movements, in my mind, is worshipping God through Jesus’ call to seek justice for the oppressed and the hold those in power accountable.

    The world has changed, and we must be salt and light in the present age rather than trying to recreate a past that never was as rosy as we would like to believe.

    Find out more about The Proclaimers at https://the.proclaimers.co.uk/

  • ‘Walls of Jericho’ – Bon Jovi

    Sally writes:

    Bon Jovi have a new album out, Forever, which to be honest is one of the best they’ve made for many years. It’s got some bangers on which are right up there with Living on a Prayer, in my view. One of these is Walls of Jericho, which takes the theme of the bible story and weaves it into a wider song of hope.

    It acknowledges that things are not great, but urges us to remember where we’ve come from and what we’ve been through. It says that sometimes we have to take the long way round achieving change but we can do so, through coming together and raising our voices together.

    For me, this theme of holding on to hope is vital in our current society. We do want to move into a different future and we want some of those walls of injustice we see, both physically and metaphorically, around us to fall. To do this we need to come together and hold on to hope, not fall into the trap of despair, division and giving up if we can’t get our quick-fix answers immediately.

    I find it interesting that Jon Bon Jovi has turned to the bible for inspiration on this one and taken an explicitly religious story from the Jewish and Christian traditions and sought to use it to appeal to a wider, largely secular audience. In doing this he is, and from having heard him speak about this song recently at an event in Kingston, quite consciously seeking to use a religious theme but open it up to everybody and turn it into something for everybody.

    I think this raises a further question, do religions want to hold on to hope rather than release and share it in order to achieve meaningful change? Do we need, like Jon Bon Jovi, to release our stories into the wider society in a way which relinquishes religious ownership? This will mean teaching people our stories not to try and train them but to help them learn from them too. We need to set the stories free.

    It appeals to me, but I am aware religions as institutions, including Christianity, are built on holding on to their stories and trying to use them to get people to buy into the religion. What I love about this song is it is about sharing both the story and the message of hope and community liberation though encouraging people coming together and sing their way into change and the dismantling of walls.

    Find out more about Bon Jovi at https://www.bonjovi.com/

  • ‘Fools Gold’ – Passenger

    Dawn writes:

    I am a self confessed experience junkie, and I’ve spent most of my life rushing
    from one high to the next; anything from extreme rollercoasters to ‘spiritual’ highs of large arena-style church worship. Some of that is due to being neuro-divergent and some as a trauma response.

    Music has always been important to me throughout it all. My GCSE Chemistry
    teacher once said if there was an exam in song lyrics I would get an A but alas in chemistry I would go on to score an F. Unfortunately I’m also not musically gifted, in truth I can’t hold a tune in a bucket but song lyrics, like all good poetry have the power to transport me somewhere deep inside myself and in some respects have been the best therapy I’ve received.

    This particular song came into my life about 5 years ago and since then I’ve seen the artist Passenger 4 times live. He writes completely from the heart and yes, while most of his music isn’t exactly cheerful it speaks to a part of my soul that needs to hear those words.

    As I practice living a vocation that requires me to ‘be’ more than ‘do’,
    contemplation doesn’t come easy and the lyrics of this song serve as a reminder
    to me about chasing down the sparkly, shiny stuff of life that doesn’t always last. Leading me back to the edge of the lake to be still and know.


    Hey can’t you show me something I’ve not seen before
    Magic tricks and pirate ships – they just don’t work no more.
    I’ve given up on treasure chests that wash upon the shore
    ‘Cause fool’s gold never seems to keep its shine.

    Hey can’t you give me something I can hold in my hands
    The sick of gold rush promises and empty suitcase plans
    I won’t go back to treasure maps and digging in the sand
    For I always seem to lose whatever I find
    Yeah, I always seem to leave it all behind

    Hey, give me golden afternoons in May
    Give me silver moons that light my way
    And I won’t ask for fool’s gold anymore

    Hey, can’t you make me feel like I haven’t felt for years
    When we laughed like we did when I was a kid until I burst into tears
    And count the diamond stars and drink the water crystal clear
    And I’ll be richer than any man that lives with fear

    I think it’s a part of being human to chase the rainbows, hoping we will reach the pot of gold and the culture in which we live is so consumer driven we forget to press the pause button and appreciate the life we have.

    I hope this song brings a moment of peace to you when you listen and let go of the need to chase ‘fools gold’ and just be.

    Find out more about Passenger at https://passengermusic.com/

  • ‘Detectorists’ – Johnny Flynn

    Tom writes:

    During the Covid lockdown, I rather paradoxically found myself walking far more than I previously did, while at the same time watching far more TV! These two are linked in my mind because one of the shows I discovered during that time was Detectorists, while its theme tune by Johnny Flynn (who has a cameo in the series at one point) rapidly made it onto the playlist that regularly accompanied me on my once-per day walks. This means that, no matter where I go, the programme and its theme will indelibly remind me of the place I currently live – which just happens to be a short journey as the crow flies to where the programme was filmed!

    While the show is, on the surface, about two men’s search for gold, anyone who has seen it knows that really it’s about the treasure that is human relationships – whether romantic or platonic. With a comedic gentleness that many (including me) find profound, Detectorists explores the strengths and frailties of love, and the genuine wealth that is found not in deeply buried Saxon hoards but in deeply rooted friendship.

    It seems to me, as I listen to Flynn’s masterfully-crafted theme tune, that the singer-songwriter has captured this beautifully. Using the metaphor of lost treasure, Flynn sings a song that is clearly a love song – yet anyone who knows the show can easily picture not a romantic love story, but the strong loving bond of two middle-aged men, walking a lane from the meadow to the layby, detectors over their shoulders, and recollections of last night’s University Challenge on their lips. The treasure sung of doesn’t need to be the romantic love we might usually associate with a love song (though the show certainly touches on that, whether in Andy and Becky, Lance and Toni, Terry and Sheila, Louise and Varde), but can also be familial love like that of Becky and her mum, Veronica, or Lance and his daughter, Kate, as well as the many close friendships that the show focuses on – including that of “Simon and Garfunkel” (if you’ve seen it, you’ll know who I mean – and if you haven’t, well, you should!)

    For me, however, the song offers a further possible dimension – and that is of divine love. And, I think, the song works in both directions. Clearly, there is a strong Biblical tradition of seeing God (and God’s Kingdom) as a treasure waiting to be found. So it is that we might see the Detectorists theme as being sung from the point of view of the divine – how willing, we might ask, are we to search high and low for the joy of finding ourselves in the presence of divine love? How far will we go to avail ourselves of the treasure of heaven (whatever we might mean by that)?

    Yet, at the same time, Jesus is clear that it doesn’t just work that way. For God, we are the treasure worth pursuing – whether the sheep lost from the flock or the coin lost from the purse, there is no stone that will be left unturned, no briar left unsearched, no fathom left undived, as God searches for the least and lost who are treasure of limitless value to the One whose reign is both now and yet to come.

    So as I listen, I see the wonder of creation and the beauty of friendship, and I recall the search I have made (and continue to make) in order to know for myself the Love that is beyond all other love, and I rejoice that there is nowhere I, or you, or anyone can hide ourselves, where that Love will not seek us out and find us, and dance the gold dance that is the joy of all Detectorists!

    Find out more about Johnny Flynn at https://johnny-flynn.com/

  • ‘The Wire’ – Luke Jackson

    Jane writes:

    I first saw Luke Jackson and Shrewsbury Folk Festival what seems like a lifetime ago (2012ish). He was a bright young thing with a new EP out and under the wing of Martyn Joseph. He wrote of life experiences as he saw them. Stories of leaving home, playing in the woods and affection for the streets near his home. He still does the same but with more subtlety and anger now. He sees what life is like as a young man and has an eye for the society he lives in and the impact of the situations they are thrown into.

    One of his latest tracks then is this – The Wire

    The lyrics are scarily cracking and make scant reference to God seen as the never present help in times of trouble. I think that the sense that everyone is operating at the lowest ebb is a universal truth at present. It may be about finance, poor mental health, work stress, family hassle, “bad luck”, grief, ill health or anything you care to mention but everyone is almost certainly carrying something which means that they are down to the wire. Maybe not everyday. Maybe all the time or part of it. Maybe when they are let down by others. Down to the wire nonetheless.

    What do we do now?

    There’s nothing new in life about this and biblically there are many many characters who are handling the same sort of stuff. There’s hardly a chapter goes by without some stress or pain. Some tough situation to resolve and the responses are many. Everything from praying, running, weeping, promising through to laying out fleeces and dancing naked.

    This song has a kind of fatalism to it. A kind of no-hope hope. A kind of acceptance that life is this way and some of it we are complicit in but the constant refrain may give us a key to finding a way out. What do we do now?

    Whatever we do may make the shift for us. A small incremental one but nonetheless, a shift. It may be a change of scenery. It may be a new viewpoint. It may be a chance to get back to what matters at the heart of us. It may be a rest and a chance to take stock. We may need help – friend or faith – but however we get there doing nothing is unlikely to be a sensible option in the end.

    If you’re down to the wire, reach out, whatever the reason. It may be the shift you need

    You can find out more about Luke here https://www.lukepauljackson.com/

  • ‘World in Motion’ – New Order

    Gill writes:

    It could be suggested that tonight kickstarts a summer of sport, although cricket fans amongst you would say it’s already started (which is more than could be said for the meteorological summer!). Whatever your starting point, we have T20 World Cups for men and women, the Tour de France, Wimbledon, the British F1 Grand Prix, the men and women’s golf ‘Open’, the Olympics, Paralympics and kicking off tonight – the Euros 2024.

    I’m not much of a football fan (unlike my Toon Army son who is currently blasting out ‘Local Hero’ as I write!), but I do quite enjoy tournaments like the World Cup and Euros. Apart from the penalty shoot-outs obviously.

    It seems to me, as a bit of an outsider, that football has its positives and negatives. Having grown up in the 70’s, the image of hooliganism is etched on my memory. I’ve always found the strong team allegiances to the point of divisiveness extremely disconcerting. And I am fully aware that there will be a sharp increase of domestic abuse if our teams don’t do well.

    On the other hand, football brings people from all sorts of backgrounds and countries together. It enables a sense of community and a feeling of being part of something bigger. I think that when you peel it all back, you’ll find that right at the heart of being a football fan is having a sense of belonging. Not dissimilar to being involved in politics or religion then.

    For once, I’m focusing not on the lyrics of a song particularly, but the feelings that it conjures up. This song was written for the 1990 England World Cup team by the members of New Order with Keith Allen (actor and producer) and was their only Number One (despite some real classics like Blue Monday and True Faith). It broke the mould of national football team songs – previous examples being Scotland’s ‘We Have a Dream’ and England’s ‘This Time’ for the 1982 World Cup.

    This was the first England football song that didn’t sound too out of place in pubs and nightclubs and prompted a little arm-pumping dance that fans in the stadiums would do. It seemed to tap into the changing culture of football which was beginning to embrace a more tolerant and peaceful approach, moving away from football fan troubles of the previous decades.

    It exuded positivity and self-expression – express yourself. It encouraged determination and staying power – let everyone see you never give up. It reminded us that love beats hate every time – love’s got the world in motion and I know what we can do. And, in my opinion, it is also a banging song that friends and strangers happily belted out together (though I do recognise that this probably excludes friends from other countries – sorry).

    So here’s to a summer of sport. Good luck to Scotland tonight; and England on Sunday.

    See what New Order are up to at the moment at https://www.neworder.com/

  • Looking for Friday Fixes

    We’re running low on Friday Fix reflections again, so if you have one to share with us please do!

    You can send it to fridayfixmail@gmail.com.

  • ‘Love Resurrection’ – Alison Moyet

    Gill writes:

    What can I do to make light of this dull dull day
    What switch can I pull to illuminate the way?

    For the first time in my 50-something years gracing this planet, I am finding the prospect of a General Election thoroughly depressing.  On past occasions, I’ve often felt hopeful, or bemused, or bewildered, and every so often, very angry.  This time around I hardly feel anything – I can only say that I feel despondent if anything.  The issues close to my heart don’t seem to be high enough up the agenda for most political parties.  It’s all very dull and I fear that those who could radically light and lead the way won’t get much of a look in.

    Most disheartening of all seems to be the lack of compassion for our planet and those living on it, both near and far.  I find myself hoping for an inspirational leader to guide the way to a better world for us all.

    Show me one direction
    I will not question again
    For a warm injection
    Is all I need to calm the pain

    Of course, being a God Botherer (as one friend calls me), that leader already exists. We just need to take better notice of what Jesus said – to listen up and take some action.  As Alison Moyet so rightly sings:

    We all need a love (resurrection, just a little divine intervention)

    I’ve never been a believer that politics and religion don’t mix.  I feel strongly that my faith informs my political beliefs.  And although I have this cloak of despondency, I think it’s more important than ever to pay attention and get involved.  The Joint Public Issues Team (JPIT) says that ‘The UK is navigating complex political terrain, with deepening economic inequality, climate change, and the treatment of the most vulnerable at the forefront of public discourse. Globally, geopolitical tensions, economic instability, and environmental crises add layers of complexity to our decision-making processes.’  

    Now is the time more than ever to love, pray and vote.  One of the phrases that we explore in one of our courses at Place for Hope when considering the abuse of power is ‘the acquiescence of onlookers’.  Our passivity or lack of engagement colludes and doesn’t challenge the status quo.  So the question for me (and hopefully for you) are you letting the apathy and despondency get to you to the point that you are acquiescing?

    Whatever your politics, be guided by love, contemplate deeply and vote for those who walk humbly and seek justice.  Sow some seeds.

    What seed must I sow to replenish this barren land
    Teach me to harvest, I want you to grow in my hand
    Let’s be optimistic, let’s say that we won’t toil in vain
    If we pull together we’ll never fall apart again
    We all need a love (resurrection, just a little divine intervention)
    We all need a love (resurrection, just a little divine intervention)

    We need love


    Find out more about Alison Moyet at https://www.alisonmoyetmusic.com/

  • ‘Thirteen Years’ – Blue Rose Code

    Jane writes:

    In recent days the new Blue Rose Code album Bright Circumstance has been released. On it, a track so politically and emotionally charged it stopped me in my tracks. When my daughter was small we had a rule that if we bought a new CD we could play it in the car BUT the first hearing had to be all the way through from start to finish and no repeat tracks allowed until the second time round. With the advent of Spotify, I try hard to do this with any new album I listen to still, but on this occasion I failed miserably and it was about this track.

    The constant refrain – Is this the world we want to be? provokes us to consider what kind of state have we become. What kind of society we’re willing to accept.

    We have money for kings and queens but we can’t feed our wee ones
    We have money for guns and bombs but we can’t feed our daughters and sons

    I think it’s the very simply stated incredulity at what is happening around him, around us, that makes this track powerful

    Well there are nurses on the picket lines. I never thought I’d see it in my life.

    I am certain that it was not God’s intention that anyone, child or adult, should have to choose between eating or heating in this abundant world. I am also certain that the power grab by countries and individuals was also not at the
    top of God’s list.

    As disciples, we are trapped in a world that has been in a dark place for years. Many folk chipping away best they can at the injustices we see. True for generations but not making much of a dent. Trying hard to tip upside down the way it is to the way it should be.

    It is an excellent question to ask ourselves but maybe more a question to ask anyone you come into contact with. Use this simple tool and tout it around. Dear MP…………… Dear business owner…………… Dear church leader…………… Dear local council………………. Dear ………………

    Is this the world we want, Is this the world we wanna be?

    We might only manage a marginal gain through our outrage but it’s a start

    You can find the album version here https://bluerosecode.bandcamp.com/track/thirteen-years-2
    And more about Blue Rose Code here https://bluerosecode.com/
    They happen to be great live too if you can catch them