• ‘End of a Century’ – Blur

    Gill writes:

    I’ve been thinking about endings this week. I think it was triggered by listening to Danny Dorling last week on the ‘Somewhere To Believe In’ podcast (it’s the new Greenbelt podcast – it’s brilliant – check it out https://www.greenbelt.org.uk/somewhere-to-believe-in-a-brand-new-podcast-from-greenbelt/) where he explores the death of Empire (and inequality, Brexit and pandemics too) and the implications that this can have on us.

    Another reason to think about endings is that, come September 1st, our team will have reduced to three (and a bit) because our wonderful Jane is moving to pastures new (the Ministries Team no less) and so there’s all the ‘handing overs’ and tying up of tasks that only Jane can do.

    Us humans really struggle with endings. We want them to be neat and tidy. We use phrases like ‘drawing a line under it’ ‘wrap it up’ and ‘done and dusted’. We struggle with messy, or complicated. When people leave or move away, many of us prefer to say ‘see you again’ rather than ‘goodbye’.

    Even though we want a clean ending in some ways, when it comes to people we like or love, we still want to keep a thread that connects us – ‘we’ll come and visit’, ‘we’ll keep in touch’ and ‘we’ll see each other on Facebook’.

    Of course, Jane isn’t the only one making a move this summer. Many of our ministers and their families (please – let’s not forget their families) will be facing endings as a number of them move to a new circuit. With those endings, come endings for many Methodist people as they say goodbye (in very unusual cirumstances this year) and have to embrace the changes too.

    This song by Blur, which I think is one of their best, speaks to me of change – and our relutance (or reticence) towards it. You may recall that Blur were at their peak in the mid to late 90’s as we approached a new century. It was the time of Cool Brittania, the ‘Titanic’ film, the Millenium Dome and the Millenium Bug. It felt like we were being encouraged to get excited for the future when really lots of people preferred to stick with what they already knew.

    We all say “don’t want to be alone”
    We wear the same clothes ’cause we feel the same
    We kiss with dry lips when we say goodnight
    End of a century, oh, it’s nothing special

    That’s another way that we deal with endings – pretending that nothing is going to change. We’ll just keep on doing what we’re doing. ‘It’s nothing special’. While the world around us changes, we’ll make an effort to stay the same. I wonder – surely it gets to a point where trying to stay the same uses up more energy and emotion than adapting to change.

    Blur were one of those groups whose music evolved and changed with them. If you compare their album ‘Leisure’ to ‘Parklife’ (which this song is from) to ’13’, you’ll see what I mean. Or perhaps listen to ‘There’s no other way’, this song and ‘Coffee and TV’ – and you’ll see what I mean. The same could be said of many groups & singers – U2, Bruce Springsteen, David Bowie to name but a few. The artists that are open to new ways and willing to take risks with their music often carry on their craft for longer.

    Endings and the change that they bring are often life-giving and energising. They can bring deeper understanding of ourselves and those we share the planet with. They push us to new places where we are likely see God at work in a new way – and what’s not to embrace about that!

    So – just to tie this post up nicely 😉 – just a reminder of what Jesus says at the end of Matthew’s Gospel ‘And remember, I am with you always, to the end of the age.’ Whatever the change; Whatever the ending; God is with us.

    Find out more about Blur at https://www.blur.co.uk/?frontpage=true

  • ‘Black’ – Dave

    Gill writes:

    I’m the parent of a teenager. Before he hit his teens (and being a person with ‘green’ tendencies), I used to moan about parents ferrying their children around in cars. I still do sometimes but we’ve settled for a balance between foot, bike and car – and that’s because some of the most crucial conversations with teenagers happen in cars. This should have been no surprise to me really – as a youth worker by profession, it was the minibus moments that were the most insightful and engaging!

    A key issue in parent and teenager travel is the ‘music in the car’ debate – and tempting though it is to say ‘my car, my music’, I’d have missed out on a whole load of musical education in the last 18 months if I’d had that rule.

    In 2018, British rap and grime music entered my life and became the soundtrack to many a journey (and background to conversation) with my adolescent offspring. And for much of 2019, the Mercury Prize Winning album ‘Psychodrama’ by Dave formed the backdrop to our journeys.

    When I heard ‘Black’, I was driving Max somewhere and I was blown away by what I was hearing. The opening words are so powerful:

    Look, black is beautiful, black is excellent
    Black is pain, black is joy, black is evident

    I kept playing it and watching the official video of it (which is not the one above – that’s his performance at the Brits 2020 which is very powerful in a different way). It is refreshingly honest, eye-opening, poetic, intelligent, thought-provoking and the challenge that I needed to hear as a white, privileged person.

    Our heritage been severed, you never got to experiment
    With family trees, ’cause they teach you ’bout famine and greed
    And show you pictures of our fam on their knees
    Tell us we used to be barbaric, we had actual queens

    Of course, the song has courted controversy with some white people, particularly on Twitter, who felt threatened by a black man celebrating his identity and people – with comments along the ‘imagine if it was a white man singing about being white’ type of lines.

    This led to DJ Annie Mac responding on Twitter with “It’s so very frustrating to see so many negative comments from listeners when I, and other BBC Radio One DJs play the Dave track ‘Black’. Let me get this straight, if you are genuinely offended by a man talking about the colour of his skin and how it has shaped his identity…then that is a problem for you. It’s a real issue that a song so intelligent, so thought provoking so excellently put together can actually offend you. It’s not just okay to talk about race. It is crucial. Listen to the song with open ears. Please.”

    The gospels show how Jesus spoke out against inequality, how he helped those who were oppressed, how he condemned those who oppressed and how he embraced those on the fringes.

    If we really want to follow Jesus, this means being more like him and not burying our head in the sand or shrugging our shoulders or denying that racism is not integral in our world. It means speaking up, asking questions and using the power that we have to bring about a world where nobody ever feels valueless.

    Find out more about Dave at https://santandave.com/collections/all

  • ‘Wish You Were Here’ – Pink Floyd

    Jane writes:

    For me a car journey has always been about far more than getting from A to B. Of course that matters but it’s about so much more. Music. The whole listening experience of music remains confined in the car space and I can tell you where I was going the first time I heard all kinds of albums. U2’s ‘The Joshua Tree’ or Alanis Morisette’s ‘Jagged Little Pill’ – I could go on.

    We had car music listening rules in our house for as long as I can remember. Family trips as a child meant taking it in turns for your choices to be played with those of grown-ups. My daughter and I had rules about playing new albums all the way through first time around before launching into the repeat city that was around instant favourites.

    It’s also a place of singing. Loudly. Probably out of tune – well a little bit. Great improvised harmonies tho. All this with my Mum and Dad as a kid – those easy listening numbers that Neil Diamond and his contemporaries had to offer. My daughter and her friends – especially the big show-stopping tunes. My best mate and pretty much anything frankly!

    Right now all this looks radically different. We’re not really going anywhere to speak of. We’re definitely not going anywhere with groups of other people. So this week, when I went off for a trip to see my mum as a “bubble person”, I took great delight in putting on my “retro-happiness” playlist.

    When this track appeared it cut right through into everything. I sang it word for word. I knew when the lyrical content started. (I can do a mean impression of a guitar solo actually too it turns out.) I sang more harmony than even PF dreamt up.

    I can’t claim to understand it at all really. It’s typically Pink Floyd but it set me off thinking about what and who I was missing. Oh, and how I wished they were there. I knew exactly who in my life would relish a big sing to this track. Who would smile as soon as they heard the intro. Who would be playing their guitar along in their heads. Who, in that moment, I wished were in that car with me or indeed with me anywhere.

    It set me off thinking about broken relationships, long-distance friendships, contact thwarted by lock-down and new things being stopped from flourishing. It made me think about all those people I wished were really really in my life. Right now. The people who see me and wish to be seen in return.

    How I wish, how I wish you were here.

    We’re just two lost souls swimming in a fish bowl, year after year.

    Running over the same old ground.

    What have we found?

    The same old fears.

    Wish you were here.

    It’s interesting to me that even the writers of this track – Roger Waters and Dave Gilmour – think it’s about different things. For the former it’s a song he sings to himself about being really present in his own life and for the latter it is, in reality, about the loss of a friend and fellow musician. So I think that gives us permission to read into it just what we like.

    Being in real and right relationship with each other is what we are called to by God. Sometimes things don’t work out. Sometimes we only pretend. Sometimes we don’t know where to start. Sometimes it’s a click.

    For me the reason for that is to remind ourselves that we are a people of community, distant or otherwise, and that it really is okay to need others. So go on – get in touch with someone you value and if they are long gone, allow yourself to be sad about missing them because their value to you and to God never diminishes.

    Oh, for the record, we’re called to be in real and right relationship with people we don’t really “wish were here” too but that’s maybe a story for another day.

    You can find out more about Pink Floyd here – https://www.pinkfloyd.com/home.php

  • Let Your Light Shine

    Thinking about being light to others.

    What you will need:

    Set Up the Space

    • You will need to set up a table in a place where the group can see and access. Drape with material (as creatively as you like!). Place the large light or candle (this can either be in the middle at the back or to the side); set out the lined tray with tealights laid out in rows inside the tray (either to the front of the large light or on the other side of the table to the large light). Place the lighter to the side of the tealight tray. (PLEASE MAKE SURE THAT HOWEVER YOU SET UP THE TABLE, IT MEETS FIRE SAFETY GUIDELINES!)

    Reading: Matthew 5: 13-16 (from The Message version)

    13 “Let me tell you why you are here. You’re here to be salt-seasoning that brings out the God-flavors of this earth. If you lose your saltiness, how will people taste godliness? You’ve lost your usefulness and will end up in the garbage.

    14-16 “Here’s another way to put it: You’re here to be light, bringing out the God-colors in the world. God is not a secret to be kept. We’re going public with this, as public as a city on a hill. If I make you light-bearers, you don’t think I’m going to hide you under a bucket, do you? I’m putting you on a light stand. Now that I’ve put you there on a hilltop, on a light stand—shine! Keep open house; be generous with your lives. By opening up to others, you’ll prompt people to open up with God, this generous Father in heaven.

    Reflection – Use the Friday Fix of ‘Katrina & The Waves – Love Shine a Light’. Here’s the link: https://thefridayfix.home.blog/2019/05/17/katrina-and-the-waves-love-shine-a-light/

    Activity – Focus on the large light shining out, pray that God’s love will shine through your life and that when people see you, your life will communicate Jesus.

    Pray for your church or work – that it may become even more visible, attractive and accessible to the local community.

    As you pray you might like to light a tealight.

    Closing Prayer

    God of Love

    You have called us to be salt and light in the world.

    Guide us to the places where we need to take your light.

    May we bring hope to those living in darkness.

    May we bring hope to those who see no light at the end of the tunnel.

    May we bring salt and light to a world of blandness and shadow.

    Shine your light on and through us to show others the way to You.

    Amen

     

  • ‘City of Love’ – Deacon Blue

    Gail writes:

    As lockdown was announced towards the end of March, I resisted all calls to make the most of this great opportunity that being at home offered. I didn’t want to master a new language; I ignored calls to join in online fitness sessions; I made no plans to transform our interiors or read all those books that have sat waiting patiently.

    Instead, it was simply a matter of survival.

    I aimed solely on getting through and staying well.

    Around this time Deacon Blue released their 9th studio album: City of Love. The title track seemed to follow me whenever I turned the radio on – it was always playing. I felt an instant affinity (isn’t it a joy when a song has that immediate impact?) and my spirits were lifted.

    All that remains” sang Ricky Ross, “is a City of Love”.

    These words swam around my head endlessly it seemed.

    As lockdown unfolded I didn’t join the ranks of those doing extraordinary things: key workers putting in long, dedicated shifts or gestures of great altruism: fundraising or volunteering. Secretly part of me wished I was contributing more. Instead I was working at home. Sitting at my desk. Writing emails and making phone calls. It wasn’t exceptional but in the circumstances it felt all I was able to do.

    As the lyrics to ‘City of Love’ continue:

    “If you’ve got the will, you’ve got to keep on going”

    so I did, feeling the whole weight of these peculiar and surreal circumstances. And yet there was relief as time went by, a new divine warmth, a sense of God near, his hovering in close proximity that enabled me to “put what I’m carrying down”.

    These spiritual overtones in City of Love have spurred me on, a song that Ricky Ross has described as “a hope for the future”. During a season of strangely abnormal normality, existing in our own bubble, I’ve discovered my grand offering to the common good is in fact a small one. Little gestures that build a ‘City of Love’ in my own and the lives of others. Because that is all that remains: love for those dearest to me. Love for my neighbour. Contributions that lovingly demonstrate kindness and hopefulness. That seek to let someone else know they are seen and remembered in a time we’ve been forced to become distant. And God inhabits it all in his own mysterious way.

    This song (along with other album tracks such as ‘Wonderful’) have been rich and comforting as we’ve progressed through the days, weeks and now months of lockdown. Hopefully my tickets to hear Deacon Blue live again in October will remain valid, for Ricky to sing “all that remains is a City of Love” just so I can join in with gusto and a very thankful heart.

    Find out more about Deacon Blue at https://deaconblue.com/

  • Our First Spotify List

    Well thanks to the bright spark who suggested that we put together a Spotify Playlist, we’ve created our first one which gathers together all of the 2019 Friday Fix songs.

    We’ll be creating another one soon – 2020 Vol I….

  • ‘Station to Station’ – David Bowie

    Alison writes:

    Last night I watched TV and Bowie’s 2000 session from Glastonbury was playing. I love Bowie; there is something about some of his songs, and something about his voice, and something about him that are all captivating.

    One of the songs he played was ‘Station to Station’ which has these lines

    Got to keep searching and searching

    Got to keep searching and searching

    And oh, what will I be believing

    And who will connect me with love?

    Wonder who, wonder who, wonder when

    I am currently forced to search within at the moment. Lockdown is still a reality for me, as I am told not to expect to go back to face to face work for months still, and I have hurt my leg and can’t walk far.  As an extrovert, who often finds truth in experiences, this is very tough. There are things inside I don’t want to see and at the moment I don’t have the excuses normally available to me, namely travelling lots and always with people.

    Bowie asks ‘what will I be believing’? I like that this is a future tense question, not a present tense one, as it indicates that future beliefs may not be the same as present ones. I currently believe in a God who is the same yesterday, today and forever, which I currently understand to be about rootedness and connection. A God who is found in radical acts of justice and mercy.

    Who will connect me with love?

    The answer is meant to be Jesus, but that is too simple an answer. There isn’t one answer, other than to that almost all things can connect me with love, if I want them to.

    If I want to be connected.

    One thing currently connecting me with love is the rage and determination of the young people who are kneeling for 8 minutes 43 seconds, at 2 metre distance from one another, forming a ring around the City of Lancaster on the last 2 Wednesdays.

    Another thing connecting me and some of my family with love at the moment are the young trans people who love Harry Potter and are desolate, as the author appears to be joining dots that don’t join – namely women’s rights and trans rights being in opposition to one another. 

    These people all connect me to love. I think they would connect Bowie to love too. And I see Jesus in all of this, as he simply said ‘love your neighbour as yourself’. 

    Bowie asks, I wonder when and who will connect me with love? 

    Those unexpected moments are treasures. This morning Radio 3 played a piece from Swan Lake and I danced around the kitchen like no-one was looking (no-one was looking). I danced and danced and then started to cry; I sobbed deeply. I let myself feel some of the pain of the world from these last few months. The lonely deaths; the heart breaking funerals with few people there; the loss of rites of passage; the deaths of black and brown people here and around the world; a group of refugees who crossed the Channel this week in a paddling pool.  

    In the end, I lay on the kitchen floor and felt the music, and imagined myself in the orchestra pit feeling the music beat through my body and I floated in the sound. That unexpected who and when was a treasure. 

    Let us pray…

    “Got to keep searching and searching And oh, what will I be believing
    And who will connect me with love?
    Wonder who, wonder who, wonder when”

    If you’d like to watch the full set that David Bowie did at Glastonbury in 2000, you can see it here: https://www.bbc.co.uk/iplayer/episode/m000kjlh/glastonbury-david-bowie

  • ‘I Want Jesus to Walk With Me’ – Eric Bibb

    Our Friday Fix this week comes from Clive and it’s quite pertinent since today is his last day as Vice-President of the Methodist Conference. Even more so as this song was used by him in last year’s Conference.

    So we’re happy to ‘let in’ a religiously overt song this week and wish Clive well as he embarks on the next stage in his journey as Principal at The Queen’s Foundation (http://www.queens.ac.uk/).

    Clive writes:

    It’s sometimes hard, as a privileged White, Western, male Christian to own the spirituals. Robert Beckford has rightly challenged UK choirs to think carefully about what they are doing when they sing spirituals – as if there are no complications about singing religious songs which emerged from the Black slave experience. Admittedly, any part of Christian tradition can be lived and made one’s own. But sensitivity is needed. 

    I knew ‘Kumbaya’ and ‘Let us Break Bread Together On Our Knees’ from early in my Christian life. When you hear the range of recordings available of such spirituals, though, the lush versions from highly-trained choirs sound just a bit too polished. There is a mis-match between the life-experiences being mentioned or alluded to and the neatness of the music. There are thousands of spirituals. They exist as a large body of material which Christians anywhere can access and make use of. Even if few make it into formal hymnals or song-books, that’s perhaps not where they best belong anyway. They are more like learned prayers which can be summoned up in the mind when needed, or sung when possible. 

    I only discovered ‘I Want Jesus to Walk With Me’ in my 30s or 40s. I can’t quite recall exactly how it happened, but a live version of it appeared on an Eric Bibb CD I bought (Roadworks, 2003). So it became part of the ever-growing, and always-being-edited, musical ‘canon’ of material within which I live and on which I draw as part of my spirituality. It came alive for me, though, as a spiritual when, about ten years ago, someone I know got into real difficulties.

    I found myself listening to it often, singing along when I could, though that wasn’t always easy as I was weeping regularly, not knowing how best to help someone I was close to, who was in dire need. Phrases such as ‘when I’m in trouble’, ‘when my heart is almost breaking’, ‘in my trials’ and ‘when my head is bowed in sorrow’ all took on a new intensity. At the same time, the value and meaning of ‘I want Jesus to walk with me’ was being stretched, sometimes, it seemed, to breaking point. It’s what I wanted, but what difference was it making? And what of the friend who had no intention of seeking Jesus’ help and remained in need? 

    Because I’m an academic, a researcher, an enquirer, a questioner, my faith is never unexplored. It’s a constant state of wrestling (what’s true? what’s really happening here? is God real anyway?). But the questions are posed within an overarching umbrella of trust. Even if there can never be certainty about exactly what is happening and how, as a listener you can be carried by the music. In and through Jesus, and in and through the music, God accompanies us in our troubles and sorrows.  

    Find out more about Eric Bibb at https://www.ericbibb.com/

  • ‘An Act of Kindness’ – Bastille

    Marc writes:

    This wasn’t on my radar at all until I was looking for a piece of music to go behind an Easter chalk drawing… A petition to the Hive-Mind of Facebook brought this song to my attention. (It was the perfect piece, as long as I removed the bridge about feeling guilty…)

    Have you ever noticed that the Cross is everywhere?
    In the intentional through religious art.
    In the fashionable of jewellery and clothing.
    In the integral as a crucial part of the structure of architecture.

    And what if we used all those reminders to point back to Jesus’ act on the cross?

    And what if we thought of it as an “Act of Kindness”?

    “​Kindness: The quality of being generous…”

    A reminder of the generosity of God…
    A reminder of our calling to be generous with what we have received from God…

    Lyrics:
    An act of kindness
    Is what you show to me
    Not more than I can take
    Not more than I can take
    Kindness is what you show to me
    It holds me ’till I ache
    Overflow and start to break

    Oh I, got a feeling this will shake me down
    Oh I, kind of hoping this will turn me round

    And now it follows me every day
    And now it follows me every day, every day, every day
    And now it follows me every day
    And now it follows me every day, every day, every day

    An act of kindness
    Is what you show to me
    It caught me by surprise in this town of glass and eyes
    Kindness, so many people pass me by
    But you warm me to my core and you left me wanting more

    Oh I, got a feeling this will shake me down
    Oh I, kind of hoping it will turn me round
    Oh I, got a feeling that however slow
    Oh I, kind of hoping this will reach my soul

    And now it follows me every day
    And now it follows me every day, every day, every day
    And now it follows me every day
    And now it follows me every day, every day, every day

    Here’s the video I edited together:

    You can find out what Bastille are doing at https://www.bastillebastille.com/